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THE MUMMY MOVIES FLOO MOVIE
When The Mummy, a not-great movie that went to great lengths to lay the groundwork for an upcoming interconnected franchise that nobody really wanted, flopped, it seemed like folks at Universal were the only people who were surprised. The Dark Universe got a swanky new logo and an entire renovated office building on the studio lot, though THR reports that the building is mostly empty. The studio, thinking that decades-old monster movies and big-name stars would automatically generate a profitable shared cinematic universe, shared a photo of the cast of the planned films in May, putting the cart well before the horse. The Dark Universe saga is, at its core, a tale of hubris. In October, Universe paused production on the next movie in the series, Bride of Frankenstein, which was meant to star Jolie as the titular bride. The pair’s departure isn’t the first sign of trouble for the much-hyped franchise. Kurtzman is going to keep working on Star Trek: Discovery while Morgan’s headed back to the Fast and Furious franchise. The Tom Cruise-led film was a flop, bringing in an underwhelming $400 million internationally on a pretty big budget, and getting mostly negative reviews. The franchise, which was announced with great fanfare and detailed plans for movies about the Wolfman, Frankenstein, Invisible Man, and the Creature from the Black Lagoon, kicked off with The Mummy in June. On Wednesday, The Hollywood Reporter wrote that the Dark Universe is in serious jeopardy, as Alex Kurtzman and Chris Morgan, the two producers who were supposed to oversee the sprawling horror franchise starring A-listers like Johnny Depp and Angelina Jolie, have quit. The difference between the two, however, appears to be that the Dark Universe can be killed. Universal’s “Dark Universe,” a grand planned franchise meant to resurrect the studio’s classic horror properties from the ‘30s and ‘40s, is also an artificial, undead monstrosity. What would make women want Tom Cruise again? Allowing himself to be cast opposite a female actor of similar age and equal calibre would be a start.Frankenstein’s monster was a shambling heap of decaying parts that ought to have stayed dead but was instead brought back to life in a horrifying fashion. Although that’s easy to forget when the image of a gyrating Les Grossman from Tropic Thunder has replaced all other memories in your mind. Remember who completes youĬruise used to be a sex symbol.
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Even Johnny “Captain Jack Sparrow” Depp can accommodate the Dior Sauvage fragrance deal, in his pirate’s booty.
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“They can’t afford to rely on movies and television the way they did in the past.” In other words, no actor is too Maverick for merch. “Big agencies have been making adjustments for more than a decade,” says James Andrew Miller, author of Powerhouse, an authoritative history of Cruise’s talent agency CAA. If he were to allow a great auteur to retake the reins, it might result in a new direction of travel we’re talking Oscars-bound. He has worked with Stanley Kubrick, Michael Mann and Steven Spielberg, but Cruise is also said to exert an influence over his projects that can exceed that of his director. Magnolia (1999), directed by Paul Thomas Anderson, won Cruise an Academy Award nomination for best supporting actor.